How Vintage Gowns Changed My Path As An Artist

When I was in art school creating figurative sculpture and works from fiber, I had the glorious opportunity to intern at the Chicago Historical Society in their Costume Department. I was sewing my own clothes at the time and was absolutely knocked out by the vintage gowns that were part of the museum's collection. I didn't realize it at the time, but that internship changed everything for me as an artist.

My creative practice began to explore how adornment transforms not only our appearance but the way we feel about ourselves. My work in textiles, fashion, and eventually jewelry has been centered on celebrating sensuality, glamour and individuality.

I am particularly inspired by couture gowns of the 1930s. Some of my favorite designers are Vionnet, Grès, Schiaparelli, and Adrian. The way they made technical expertise look absolutely effortless is so inspiring to me. The bias cut fabrics that cling to the body and the exquisite draping that drips from shoulders and hips to pool at the feet are really feats of engineering and skill.

Recently I noticed how design elements of this era have informed my jewelry practice: striking silhouettes, elements of movement, glossy and glamorous materials, and a celebration of drama. These side by side photos were a fun reflection on where my jewelry design aesthetic is leaning, and excite me to see what comes next. I am envisioning incorporating further textile elements and pushing my concept of fluid ribbons about to be undone even further.

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