I work dimensionally in the medium of wax, sculpting directly in space to discover the balance between intention and spontaneity.
Each form begins as a gestural exploration of movement and energy. Wax is shaped and manipulated by hand into fluid, ribbon-like forms before being transformed into metal through the ancient process of lost wax casting.
In this technique, the original wax sculpture is encased in plaster and heated in a kiln, allowing the wax to melt away and leave behind its impression. Molten metal is then cast into the mold, preserving every curve and gesture of the original sculpted form.
Pushing the Limits of Sculptural Jewelry
I initially taught myself the casting process in order to understand how far I could stretch the limits of both wax and metal while maintaining structural integrity.
Creating jewelry at this dramatic scale presents unique technical challenges, particularly when translating fluid, dimensional forms into solid metal. Today, I partner with another female craftsperson who specializes in casting work of this complexity and scale.
Refining the Final Form
Once the initial casting is complete, each piece undergoes extensive hand refinement and finishing.
Forms are further sculpted and adjusted until their movement and dynamism fully emerge. Surfaces are then meticulously smoothed, polished, and refined until the metal feels almost velvet-like to the touch.
After the final sculptural form is perfected, a silicone mold is created for future castings. Because of the complexity of each design, every individual piece still requires substantial hand-finishing to achieve its fluid curves and luminous luster.
The final result is sculptural jewelry that feels both powerful and sensual: molten metal transformed into wearable art.